1. Please Help Us #changeBrazil

    We´re at 9gag, please vote us up in there - http://9gag.com/gag/aKzwogj/

    (Source: 9GAG)

     


  2. Interview with James Darling.

    By Lynsey G.

    About three years ago, I got in touch with a porn crush of mine: the super handsome and very sexy James Darling, then a budding new star on the queer porn scene. I sent him some interview questions, but James got super-busy being super-awesome and getting more famous, and didn’t have time to respond. And then time passed, and the interview was forgotten. Luckily, however, I ran into James recently at the Feminist Porn Awards and Convention in Toronto, and we both remembered that old interview! So here it is, my lovelies, with three-year-old questions and brand new answers!

    Photo by Bella Blush.

    You’ve been called the “Prince of Queer Porn.” That is a pretty frickin’ awesome title. How did you nab it before anyone else did?

    I actually got that title from a group of hot stripper friends at the Lusty Lady in San Francisco. They claimed I was the prince charming of queer porn and it stuck around. I think it also stems from the way I present myself, since I’m not as big and butch as some other male performers and my masculinity is more gentlemanly and dandy, like a prince.

    Is it better to be a prince than a king? Which would you prefer?

    Princes are cuter with less responsibility and better wardrobes; personally I think that’s a much better deal.

    Which of the two English princes do you prefer?

    I’m a little partial to William but Harry seems like quite the party animal!

    Ok enough with the stupid questions. You’re a very influential person in the queer porn world. As queer porn continues to grow and evolve, where do you see yourself in it? Do you have any aspirations to direct or start your own company or somesuch?

    When you first asked me this I started to answer that I felt like a sponge, trying to listen to and absorb as much information as possible from various companies and directors I admire. And I still largely feel this way even though now I do have my own porn company, FTMFUCKER.com, which is a porn site dedicated to trans men. I’m still evolving and finding my place in this industry. Being a better pornographer is something I strive to learn more about every day.

    How did you make the leap into performing in porn after you’d wanted to for a long time? What held you back before that?

    There isn’t exactly a thriving queer porn scene in the South where I’m from the way there is in the Bay Area, so moving here really helped. I also wasn’t ready to show myself off in such a visible, permanent way until I became more comfortable with my body, and by the time I moved here I was ready to take it all off and show the world how hot guys like me could be.

    You’ve worked with college courses on sex and law and are seen as something of an expert, which is great. Do you consider yourself an academic/expert through life experience or study?

    I’m only an expert on my own experiences, but I do consider myself an educator. I’ve always been one of those people that learns best by example, and I would hope that my creative visual pursuits in porn help educate all kinds of people about the possibilities of their bodies and broaden their horizons of sexuality. I’ve taught classes at colleges and conferences, and I still find it really surreal that multiple people have written papers and theses and even [taught] classes based on performances and scenes I’ve done. Though to be fair, if I were in academia, I don’t think there would be anything I would enjoy studying more than porn. I think it’s really cool that there is push for the legitimacy of the study of porn. I think porn is a really important part of our culture.

     To me it seems that the queer porn scene is a good place for young people like yourself to distinguish themselves by virtue of the field being so new and small. Do you get the feeling you are at the forefront of a huge new wave of philosophy?

    I think queer porn is opening a lot of doors for people and helping to expand the sexual boundaries of all kinds of people. I think it’s really important to show different kinds of bodies, safer sex methods, consent, treating performers like people, etc.

    I would like to say that I do not consider the porn that I make to necessarily be queer; though many of my performers identify that way, some don’t.  I do think there is a way to make porn that features trans people that can be well produced, respectful, and ultimately get you off! That’s my ultimate goal, anyways.

    You discuss your exhibitionism and sex very dispassionately sometimes, but still deliver killer performances dripping with chemistry. Have you always found it easy to talk about your likes and turn-ons and so forth, or has being so deeply involved in the queer and sex-positive world made it as easy to discuss as, say, your coffee preference?

    I think being queer and trans has forced me to be a lot more aware of my body and what I like to do with it than if I were straight and not trans. Being able to speak about it casually and openly is partially a product of living in the Bay Area, where being sex-positive is largely the norm and people talk about sex a lot more openly than in other areas of the country. I think being in this environment has enabled me to become a lot more self-actualized as a sexual being.

    I truly love sex, and can’t fake anything in life very well. I’m not good at lying to people or kissing asses (unless those asses are on camera! I give a great rimjob), and authenticity in my performances and the porn that I produce [is] very important to me. I don’t find anything hot about someone not ultimately enjoying what they’re doing.

    Speaking of which, do you drink coffee?

    I was a barista once upon a time and still consume a lot of caffeine. Especially when I’m on an editing deadline, you might see my desk strewn with coffee cups and empty cans of Red Bull.

    Alcohol?

    I’ve been known to imbibe. I’m rather fond of whiskey. You can take the boy out of the South but…

    Photo by the Good For Her Feminist Porn Awards.

    Sarsaparilla?

    Delicious. My favorite is one called “Camano Brothers.” Very tasty.

    Isn’t that word ridiculous to look at when it’s spelled out?

    A little bit, but at least it sounds exciting and almost sexy, instead of awkward and uncomfortable like “moist”

    You’ve spoken about the financial obstacles to transitioning in America. Have you found it difficult to support your own transition financially?

    Currently there are efforts in some places in America to assist trans people seeking hormones and surgery with their medical costs through state programs. California is one of those places. Where I was from, there are no such resources and everything came out of pocket, which when you’re surviving off  of minimum wage is a pretty insurmountable task. At the time, there were also no doctors in my area who had seen someone as young as myself (I was 18 at the time) who didn’t 100% fit the Harry Benjamin Standards of Care (the standards used in psychiatry to diagnose and treat transsexualism), so many professionals refused to treat me out of fear of legal prosecution. Eventually I did find the help I needed, but the whole process of getting a letter and hormones and my name changed took me about 2 or 3 years. When I came to the Bay Area I was floored to go to a clinic and have a doctor write me a letter for chest surgery after only meeting me once. There is a pretty big disconnect in the distribution of resources in this country, and of course, this disproportionally affects trans people along lines of race, class, ability, etc. Frankly, looking back I’m amazed that I made it. I wish it didn’t have to be that way for so many other trans people.

     What do you think can be done to make transitioning easier for those who need access to it?

    In my dream world where everything is powered by dreams and rainbows, there would be universal healthcare that would also include therapy, hormones, and surgery for trans people interested in those things with minimal amounts of bullshit. I think it’s critical for medical and mental health professionals to educate themselves on the needs of trans communities, especially for those outside of major metropolitan areas.

     You grew up in the South where there’s not much in the way of community or support for queer and trans people. What do you think you could do, as a queer star, might be able to do to help others now or in the future?

     The internet has really changed what is available for a lot of people outside of major metropolitan or more politically progressive areas. I mean thank god that around the time I realized I was trans in 2004 or whatever that there were email groups and LiveJournal and the Southern Comfort Conference. I’m sure YouTube channels and Original Plumbing magazine and Tumblr are really useful tools for younger guys (or even older guys figuring their stuff out) to find other people like them and information on the resources they need. I think that’s incredible.

    But I hope that [for] people who find me, whether it be through my porn performances, my sex advice column on originalplumbing.com, or Facebook or tumblr or wherever, that I’m a voice among many of what it can mean to be a trans person and a sexual being. I’ve received a lot of messages from guys telling me how my images and videos have helped them in their own sex lives and their own journeys. I want to add to the conversation about the radical possibilities of pleasure. That maybe it doesn’t always “get better” but that another life is possible and you can be who you are and have good sex and live a life worth living in this crazy mess of a world.

    After watching some of your videos about these topics, I’ve been thinking… maybe one of the things that fascinates cis people about the experience of trans people comes down to the concept of intentionality. For most people, the way they are born matches well enough with the way they feel about their identities that the choices they make in expressing their gender and sexuality are far less problematic—more taken for granted. For people like yourself, conscious decisions about how to express oneself are made at many different stages of life—the way in which you express yourself was not just a given. What do you think trans people like yourself can teach others about intentionally performing their personalities and sexualities? Should we all spend a little more time thinking about this stuff, or less?

     I think one of the biggest reasons I’m grateful to be a trans person is because it has forced me to question my reality, my body, the identity handed to me at birth, and the expectations around that. I have no idea what my life would look like if I wasn’t trans, and I really wouldn’t want it any other way. This journey has saved my life. I think I would be incredibly bored and uninspired if I just assumed that there was nothing more in life than being the property of another man and procreating. Not to say those aren’t worthwhile if you want them, but I’m eternally grateful for the life I have now. I do think everyone should spend more time thinking about what it means to be a woman or man in this world, to question what you’re told to do and ask yourself if that’s something you actually want. To experiment with lots of different ways of presenting yourself and pleasuring yourself. I think the world would be a lot better of a place for it.

    So… did you name yourself after the football player?

    Nope! There’s even a bodybuilder and jazz musician with the same name too!

    I originally was a burlesque performer named Mr. James Fancy and decided to change my last name for porn. I wanted to remain true to my southern roots, and Darling is a common term of endearment, like honey or sweetie, and I find it charming. Darling also has a long history as a last name in the porn and transsexual communities, with performers I’ve looked up to like Gia Darling (who jokingly claims to be my porn mother) and Candy Darling.

    Are you a sports fan?

    Not really, I once played on a soccer team as a goalkeeper because I didn’t like to run and didn’t mind getting hit in the face by balls. I suppose not much has changed there!

    I do enjoy watching Ultimate Surrender! and I also really enjoy men’s gymnastics and figure skating. I’m a big fan of Johnny Weir.

    What do you like to read?

    I don’t read as much as I used to because I am so busy, but some of my favorite authors are Margaret Atwood, Dorothy Allison, Audre Lorde, David Wojnarowicz, and Oscar Wilde.

    Who are your heroes, in porn or elsewhere?

    My heroes are the queer and trans elders who came before me and made it possible for me to live my life the way I do. Some of them I will never know, but some of them I do. I look up to people past and present like Sylvia Rivera, Lou Sullivan, Jamison Green,  and I really admire the work that Amos and Rocco of Original Plumbing are currently doing for the trans community.

    In porn I’ve looked up to people who are changing the game like Tristan Taormino, Shine Louise Houston, and Courtney Trouble, and if it wasn’t for Buck Angel I don’t think it’d be possible for me to do what I’m doing today.

    Any performer who risks their job to say no to racist and transphobic agents. The adult industry is a surprisingly very conservative place and it’s hard to stick to your politics and convictions when your job is on the line.

    Photo by James Darling.

    What do you think is the hottest scene you’ve done to date in porn?

    This is always a hard question because everything thing I’ve done has been a hot educational and experience.

    My scene with Wolf Hudson for QueerPorn.tv is probably the most well-known scene I’ve done, and was a really hot experience. I am very sexually attracted to cis men and at the time we shot that scene in 2010 there were not a lot of cis men featured in queer porn scenes. I think a lot of people had never really seen something that hot, hardcore, and beautifully shot.

    And nothing can compare to the birthday Unicorn Gangbang that I shot for my site Ftmfucker.com. No matter what else happens, that will always be a major highlight of my porn career.

    What would you like to do that you haven’t had the chance to do yet?

    Its hard to top a unicorn gangbang (the shoot I organized for my birthday last year) but I would really like to work with more trans women, and eventually to do more big-budget productions.

    As an exhibitionist, and someone working in an industry you couldn’t possibly fit into better, I hope your orgasms on film are all authentic…?

    Of course, that’s one reason I love independently produced queer porn, the focus is on the real sexualities of queers and trans folks and the sex is usually far more authentic than you might find in other types of porn.

     What are you working on now, and where can I send people online and in real life to find out more about you?

    I started my own website last summer of FTM porn called www.FTMFUCKER.com, which won Honored Website at the Feminist Porn Awards this year. I’m also working on releasing DVDs in the near future and a couple other film projects. You can also follow me for the latest info on my current adventures at JamesDarlingxxx  on Twitter and tumblr!

    (Source: lynseyg.com)

     


  3. Camille Crimson - “Five Tips To Make Yourself Irresistible For Blowjobs” - via Playboy.com

    image

    Camille Crimson; French Canadian, redhead, blowjob queen, amazing writer, creator of beautiful porn and regular WHACK! Magazine contributor. Can now add another notch to her already impressiv résumé - Playboy dot Com writer!

    From Playboy.com — “I love blowjobs. I’m basically an oral advocate. No, really. I’ve spent the last five-plus years devoted to showing that fellatio can be gorgeous, sensual and very hot through my beautiful porn sites…As if any of you needed to be convinced! The truth is, there are many women just like me who absolutely adore giving head and many more who enjoy it greatly under the right circumstances. So what improves the odds of getting a mind-blowing blowjob? Here are a few suggestions.

    ………

    Got to Playboy.com and read the rest of the article “Five Tips To Make Yourself Irresistible To Blowjobs

     


  4. LOVE ABBY.

     


  5. Support - Female Fighter Project.

    WHACK! Magazine supports the Female Fighter Project and so should you!

    We cover all kinds of things here on WHACK! with a tendency to focus on sex and pornography at times. But if you follow our tiny rag here, you will know we’ve featured interviews with Larry Clark, Dave Navarro and a host other people outside of porn or anything sex-related.

    One thing we have wanted to get our hands dirty with for a while has been Mixed Martial Arts (MMA), but we just haven’t been able to find the right project to cover og give our support to(?) because, you know, we are kind of a bunch of hipster snobs here.

    But now we finally get the chance to back an awesome project about MMA, that’s artsy, edgy and fits right into what WHACK! is about “making lesser-seen art known to an mainstream audience

    Female Fighter Project has a beautiful site that features amazing photography and great interviews with female Brazilian Jiu-Jitsu players, Muay-Thai boxers and Mixed Martial Artists from around the world. Scroll further down to read more about Female Fighter Project, follow them on all the socialmedia websites, visit the über cool site itself and DONATE!

    And last but not least; if you are in or around San Francisco, Saturday, July 6th, 2013 - go check out “Female Fighter Project Show”
    Photobooth SF
    1193 Valencia St
    San Francisco, CA 94110
    (415) 824-1248

    Help out in supporting an amazing project!

    About Shawn Tamaribuchi, from the site Liar Photo:

    “Shawn Tamaribuchi

    “Fighting has become my spiritual connection to the world. I grew up very religious and between that and soccer, these were the space I found community and connected with people. Fighting creates these visceral bounds between people, communal empathy and understanding. It’s my meditation that gets me out of my head and opens my heart.”

    Shawn Tamaribuchi holds a BA in Photography / Digital Media from Scripps College, and has completed studies at the Glasgow School of Art. For the past six years she has worked in the commercial and performing arts worlds. Her previous film, an animation short called Kenn’s Dream, screened at the Mad Cat Women’s International Film Festival and is included in the Asian American Media curriculim at Bryn Mawr College. She is currently a producer at Pink & White Productions, purveyors of LGBT, feminist, adult cinema. Her primary interests reside in the realm of digital-media and experimental art, and her performances and visual work has been seen locally, nationally, and internationally. Just some of the projects Shawn has been involved with include: The 24hourshow art collective, the Visibility Project, twincest, and Readjust Economies of Desire. Shawn is occasionally invited to lecture at universities and festivals about the politics of representation through the lenses of feminist, queer, and racial theories.

    “I am really interested in body fluids as methods of transmission, physical dialogs that take place between bodies. Each one carries meaning on a personal level as well as a means of archiving interactions of the body and its surroundings.”
    -Interview with Aorta Magazine (formerly known as Art XX Magazine)

    From the site liarphoto.com  About: “In 2010 Shawn Tamaribuchi embarked on an international quest to visit and train with some of the best female fighters in the world sharing, in her words, “bruises, blood, and friendship.” The former pro mixed martial arts (MMA) fighter travelled from San Francisco to Rio de Janeiro and Tokyo with three Brazilian Jiu Jitsu gis, two pairs of Muay Thai gloves, mouth pieces, rash guards, shin pads, head gear, and a very heavy Hasselblad 500c camera with a stash of 120mm film. Tamaribuchi was committed to fight and photograph.”

    image

    The Faixa Pretas portrait series from her ongoing Female Fighter Project represents the female Brazilian Jiu Jitsu black belts with whom she met on her travels. Brazilian Jiu Jitsu, a martial art of Japanese techniques expanded and adapted in Brazil in the early 1900s, continues to grow as an international sport with both male and female fighters. It emphasizes that a physically smaller, weaker person can defend themselves against a larger opponent through technique and ground fighting. Fighters such as Megumi Fujii holds god-like status in the MMA world with an amazing record regardless of gender. And yes, she’s small – with with a firm stance and a playful smile. In these portraits there are bodies – younger, older, smaller, and bigger than you might expect.

    In an interview with Tamaribuchi MMA fighter Lana Stefanac said, “Often times, the perception of a female fighter is one of an angry woman, likely a victim turning into a victimizer. This could not be farther from the truth, although, many women that describe themselves as ‘fighters’ are almost always survivors.” These portraits convey strength, resolve, and joy framed by the ropes of boxing rings, athletic mats, and cages. As Tamaribuchi met colleagues, heroes, idols, mentors, and up-and-coming Female Fighter Project stars, her inner fan was only squelched by getting the wind knocked out of her in practice. She also faced tough decisions: “shoot or train?” The intimacy and respect that emanate from these images are proof that she did both.  – Sita Bhaumik”

    image

    Female Fighter Project Art Shows & Sponsorships“I am super proud to announce not one, but two art shows the Female Fighter Project is a part of! I am going to be busting my ass to complete 14 prints framed and gallery ready in the next few weeks. I am almost half way done, but still have a lot of the way to go spending most of my weekends in the photo center developing film, scanning, retouching, printing, mounting and framing each piece. I have got some new never seen before work plus some BIG pieces I am very excited about. I am also looking for sponsors to help me out with the cost of producing this work. Any amount is deeply appreciated plus I got some nifty prizes for those who can give a little more.”

    SPONSORSHIP OPPORTUNITIES

    White Belt: $5-10 

    Blue Belt: $20-50
    Twitter shout out & Facebook post.

    Purple Belt: $100 
    Link on thank you page.
    Twitter shout out & Facebook post.

    Brown Belt: $250
    Footer link for 1 year.
    Small print (~12×12″).
    5 posters.
    Link on thank you page.
    Twitter shout out & Facebook post.

    Black Belt: $500
    20×20″ print.
    Footer link for 1 year.
    Link on thank you page.
    Twitter shout out & Facebook post.

    Red Belt: $1000
    30×30 print of your choice.
    A personalized video thank you.
    Footer link for 1 year.
    Link on thank you page.
    Twitter shout out & Facebook post.

    Visit site: liarphoto.com

    Follow on Twitter: @liarphoto

    Like on Facebook: Female Fighter Project

    Follow on Tumblr: Liar Photo

    And Instagram: Liar Photo

    Most important! Visit paypal and donate to this amazing project!

    (Source: whackmagazine.com)

     


  6. BBW Bella Artista Interview—Unexpected Love

    To Swing Or Not To Swing

    By Big Juan Stud

    Erotic books, those titilating pages full of smut women take with them on trips the way guys pack up a couple of their favorite pornos, have recently received a bit of a resurgence. But even with their newfound popularity, it’s still difficult for any of the plethora of erotic books to stand out. Enter BBW Bella Artista. This author/pin-up model has recently released her own self-published novel, Unexpected Love, a true story about an emotionally strong independent woman who discovers her soulmate, but in the end realizes her all her fears of falling in love come true. Was it worth it, was it a learning experience, would she do it again? What we do know is that Unexpected Love is filled with plenty of descriptive XXX-Rated sex that if you have a vivid imagination, it’s best to have one hand free while reading.

    WHACK: How many books have you written?

    BELLA Artista: I’ve published three books thus far; the first two were limited edition printed books. Those books sold out the first few months they were published. My first two books featured some very erotic/nude photos of me which is why they were limited editions. I even published an erotic/nude 2013 calendar which sold out at the beginning of 2013.

    W: Can you describe what theme’s you usually tackle in your books?

    BA: All my books are a mix of true story and fictional erotica. 

    W: In Unexpected Love “Jessica”, the main female character is confident, smart, very sure of herself and comfortable in her own skin. Yet in the very beginning she mentions that she is nervous going to her first BBW event and is unacustomed to not having the spotlight to herself and is worried about not standing out. Why is it important for her to be the center of attention at all times and does mark a bit of insecurity on her part?

    BA:As with any human being, there are moments of caution, eustress, and being unsure of what will happen. An insecure person would have let the unsure feelings keep him or her from participating in the event all together. Even the most confident of people get nervous when new exciting things happen. Would you say you are insecure because your nerve electrons are firing over someone you love driving into town? Stating that she is accustomed to being in the spotlight only shows the comparison between her comfort zone and her willingness to explore new things.

    W: She meets a guy, “James”, she really digs. Now in a club where you have a mix of good and bad guys to pick from what qualities in “James” made him standout to her?


    BA: Each person is different. “Jessica” personally go for the jock nerd type. There is just something about a guy who can challenge “Jessica” physically and mentally that starts firing all of her neurons.

    W: Was going to a swingers club for a first date more of a test by Jessica to see how into “James” was into her?

    BA: Not at all. It was a means to an end. The swinger club had a regular club AND private bedrooms to play in when the mood struck. Since “Jessica” only wanted sex there was no need to go on a classy date. She knew he lived in New York and was sure that nothing serious would come out of it. She also liked to share her hot guy friends with her swinger female friend; they often brought men for each other to play with. 

    W: Eventually they have sex at the swingers club and when it’s over “Jessica” is afraid that this will lead to something more. She was afraid that “James” would break her streak of keeping romantic love out of her life for so many years. Why does “Jessica” fear falling in love especially when she may have met a man that seems good for her?

    BA: Because life is easier without having to take time to nurture a relationship. “Jessica” did not fear being single so there was no need for romance. She always felt romance was overrated. “Jessica” chose logic over emotion, but “James” sparked things inside her that she had never felt. 

    W: Eventually, they stop seeing each other but when they meet again the feelings they had for one another return. “Jessica” finally is able to admit to herself she loves him but doesn’t know if he feels the same. Was that why, for “Jessica,” it seemed painful for her to admit that to herself that “James” was someone who was able to put her guard down? Was that the worst fear in the world for her, falling in love?

    BA: Yes to all the above. Jessica is a bit of a control freak so letting her guard down to a point where she is no longer in control of her emotions was much like when a person starts to use drugs, only not quite as negative.

    W: The big reason a relationship never materialized was the distance. How far do you feel the relationship would have gone if distance weren’t a factor?

    BA: They spoke of marriage all the time. They really cared for each other at first. But the distance was too much. 

    W: As far as sex goes, was “James” her greatest lover?

    BA: Sex-wise, if you take away all feelings, “Jessica” had been dicked down better but yes, he was by far her greatest lover. The reason why he was the best lover was because he was the only one who could match her mind, body and spirit, plus he fought hard to please her more than she fought to please him. No one in her history had matched their mutual ferocity and lovemaking.

    W: Where are “Jessica” and “James” today? Do they keep in touch, think about each other at all?

    BA:“Jessica” broke up with “James.” I did not wish to make the book a Greek-like tragedy so I ended with the happiest place they were. They still tried to keep in touch but over time the pain of knowing they would never live in the same state made them realize that love is not enough.

     

    W: Does “Jessica” believe “James” is the love of her life?

    BA:“Jessica” feels “James” is the love of her life. But life is full of surprises. Just look at her story; she is 33, never wanted or fell in love, then along came this guy who swept her off her feet. She says she does not want to feel that way again. She is not looking for anyone to spark those type of feelings again. But she has learned one thing; she is not in control of love. She accepted that fact and accepted the four years as a beautiful lesson about opening up to the right guy. She also accepted the fact that the right guy can never be in the wrong state again! [Laughs]

    W: So did they eventually make it work for the long haul?

    BA:No, it did not work out. Every fiber in her being wanted it to work out, but he chose earning a lot of money over her (at a medium income instead of a high income) and she chose to love herself rather than be someones second choice.

    To purchase Unexpected Love, please go to http://www.lulu.com/shop/bella-artista/unexpected-love/ebook/product-20947524.html.

    (Source: whackmagazine.com)

     

  7. Britney Amber is BACK!

    Britney Amber is back! Subscribe & Like me on Facebook! http://www.facebook.com/thejasonhorton

    WEBSITE: http://goo.gl/svCEU
    TWITTER: http://goo.gl/5t6hy
    Vlogs & Rants: http://goo.gl/ensyb
    SHIRTS: http://goo.gl/a0Tvd
    INSTAGRAM: http://goo.gl/Vh0jJ
    THINGS I LIKE: http://goo.gl/qd0nX

    Josh Mattingly: http://www.youtube.com/joshmattingly

    Britney Amber: http://www.twitter.com/britney_amber

    Get a sweet discount on Loot Crate! (code: HORTON) http://www.lootcrate.com/jasonhorton

    Produced by Adam Rudder http://www.youtube.com/peoplesstudios

    Shot by Michael Livingston http://www.youtube.com/user/breakfast…

    PA: Tyler Bruhn

    Nerdy videos based on my nerdy life.

    Did you SMASH the LIKE button before it SMASHED you? Let me know in the comments!

    Royalty Free Music by http://audiomicro.com/royalty-free-music

    (Source: whackmagazine.com)

     


  8. BDSM: IMHO - SSC (and RACK): What is “Safe”?

    BDSM - SSC - Safe, Sane, and ConsensualFrom the moment you take your first baby steps into BDSM, you’re likely to hear the acronym SSC (Safe, Sane, and Consensual) a lot. You may also be familiar with RACK (Risk-Aware Consensual Kink), which takes a slightly different flavor, but holds the same concepts dear. In this essay series, I’ll go deeper into the whats, whys, and hows of the different elements of SSC (plus RACK), accented by opinions from some of the grooviest perverts I know. Please add your views to mix in the comments, too. We can never have enough input from enough people where guiding principals of kink are concerned.

    SSC & RACK

    Most everyone in kink says the acronyms, but what do they mean? How do they relate to your practice of BDSM? Why are a few letters so important?

    “I’m a big fan of RACK (Risk Aware Consensual Kink) because I think it’s more accurate to say that what we do is not necessarily Safe but we choose to make it safe by being aware of the dangers involved in BDSM.” “Safety is enacted with the awareness that danger is sexy, but that harm is not.” ~ Soma Snakeoil

    *please note: Complete comments by BDSM panelists, as well as bio and links, can be found and the end of the article.*

    BDSM - RACK - Risk-Aware Consensual KinkI couldn’t agree more with Soma. RACK has one important improvement in nuance over SSC, acknowledging the variable nature of kink. When one takes a hard look at most BDSM practices, who’s to say what is ‘safe’ or safe enough to reach the bar? How aware must one be of risk to qualify? We must accept that much of what we do is considered unsafe, by its very nature. This is why healthy respect for potential for harm is so critical.

    What are the principal risks we should be aware of?

    Potential for physical harm:

    “Knowledge is important when engaging in any play that has an increased possibility of resulting in physical harm. If you’re using a cattle prod and your partner has a pacemaker, you better damned well be familiar with any increased medical risks, given the players’ personal health, and be able to accurately answer your partner’s questions regarding those risks.” ~ Ela Darling

    Mich Masoch "The Next Stroke"I couldn’t say it any more succinctly and down to earth. What we do is (or at least can be) inherently dangerous. Acknowledging this should never be an issue. Rather, it’s something we should pride ourselves for doing, not with swaggering outlaw bravado, but reasoned acceptance. People who have the wrong idea about kink–which is, sadly, a lot of them–hold their detrimental opinions, in part, because they think it’s crazy to want to do such dangerous activities with, seemingly, no consideration for the consequences. Being open and honest about the potential risks for harm, as well as how we mitigate them, neutralizes the argument and goes a long way toward helping those outside kink understand we’re not so crazy after all.

    As a masochist, I’ve been treated to many a befuddled look when admitting it publicly. Most people outside the kink bubble don’t spend much time considering the fine distinctions between hurt and harm. They merely see two ways to express something unpleasant to be avoided at all costs. So, being one whose sexuality hard-wires me to want hurt, to ache to the core of my being for it, expressing the subtlety to others could mean the difference between a good and exceptionally bad situation. The chasm between hurt and harm is not something we can write off as semantics.

    Hurt, to me, can be defined and a temporary sensation, from mild to extreme, that leaves no (unwanted) lasting marks or injury. Of course, some toys can leave significant welts and bruising in their wake but, even if the marks are deep and angry welts, they’re still temporary. For many of us, marks are a bit like souvenirs, a reminder of a good session and maybe something to show off to fellow aficionados. In some cases, we want to keep permanent marks, which is where the ‘unwanted’ part comes in. While I may not wish to be scarred, others might (and do), and a scar isn’t harm if you wanted it.

    Harm is a different matter. Like hurt, it comes in many forms, but is lasting and its effects and injuries can range from minor to deadly. Whether harm is intended is not relevant. One would hope all harm in BDSM is accidental. Mind you, that doesn’t excuse a damed thing. It is not enough to say, “This could be dangerous, so I’ll be careful.” Even something seemingly benign can cause harm under the wrong circumstances.

    Let’s say you and your lover want to try some bondage. Have you asked yourself these questions: Do you know which materials are best to use? Know what pressure points and positions to avoid to prevent circulation issues? Know which knots to use to not create possibilities for nerve damage? Are you aware of how quickly a submissive in peril can come to harm, possibly death, if left alone in bondage? Do you (as Jay Wiseman wisely suggests) have a pair of EMT scissors at hand, in case of an emergency requiring a quick release?

    Even a simple spanking isn’t so simple or safe, if you don’t know to avoid the coccyx bone or kidneys. Gagging can be deadly, if the sub has allergies. These are just a few examples of potential harm from a lack of basic information.

    It may seem like a lot of ground to cover, just for a bit of bedroom kicks. Yet, it’s barely the training-wheels version of qualifying a dom for a situation where the safety of another is entirely in their hands. And, let’s remember, every bottom should vet their top and their knowledge/experience level, so the responsibility goes both ways. Like the signs at amusement parks, kink should have a firm ‘you must be at least this knowledgeable about BDSM safety and risk-management to ride this fetish’ policy. It may sound extreme, but zero tolerance for cavalier kink play is the only acceptable choice. As any advocate of RACK can tell you, if you don’t understand the risks, you’re not qualified to take them. Dangerous players have no place in the BDSM community.

    Sorry newbies, that means you have to do a bit of observing before jumping in. I know you’re eager as hell to get your kinky groove on–we’ve all been there at one point–but basic learning is not optional. It can be fun and a great way to meet friends and mentors in kink, though. There are many excellent groups all over the world who host seminars, demonstrations, and discussions to start you off. (Links to resources for groups and education follow the article.) For those in less populated regions, who might not have easy access to in-person events, the internet can also be a great learning tool. In all cases, make sure to qualify who’s teaching, since charlatans exist in both cyber and meat-space. And, tops, once you’ve gotten your learning on, practice with something other than someone else’s body. Your future partners will thank you (and spare you from being tagged a ‘dangerous player’).

    Potential for emotional harm

    “The one thing that I like about SSC is that in every BDSM scene the participants need to be aware of the emotional safety of their partner. The love, kink and sex games we play have the potential to be damaging to either the Top or the bottom. Any sexual experience can be complex. If you add some crazy outfits, power exchanges and needles, knives or whips…eroticism becomes even more emotionally charged. So in a sense the responsibility we have for our partner’s emotional safety grows exponentially.” ~ Soma Snakeoil

    “I think it’s important to discuss the personal emotional triggers of your partner before you play. If you choose to cross those lines together, that’s up to you and your partner, but in my opinion, it’s irresponsible to not discuss subjects that may be emotionally harmful to one another if you might tread upon triggering ground. That may include any number of things, and it’s up to each individual party to communicate the subjects which are taboo for them and how far they’re willing to push their own boundaries.” ~ Ela Darling

    Cadence St John "Urban Tomboy: Come Through My Window" by Mich MasochIn the world of kink, particularly in D/s situations, the potential for harm is not limited to the physical realm. We can delve into some serious emotional issues while in the midst of power exchange. In many cases, emotional impact is a desired outcome. Many submissives utilize BDSM as an effective means of addressing deeper issues, using the safe space of kink to explore fears and limits which have been problems in their life and relationships. So, it stands to reason, there is no room for unsafe practices from an emotional standpoint.

    If you have reservations about revealing your emotional soft underbelly to a potential partner, playing with them anyway is a terrible idea. Even in a situation that starts out as play-only, top/bottom physical stimulation can easily mission-creep into D/s headspace. Something so small as a what a top might call a bottom in-scene could have a detrimental impact, if that recalls a harmful subject.

    For example, my ex (a big fan of emotional abuse) used to like to call me a ‘stupid bitch’ and ‘lying whore’. These epithets were part of a focused campaign to destroy my self-worth and, when pointed at me, can bring on black moods of self-doubt for days after. So, The Boss knows the words ‘bitch’ and ‘whore’ can cause me distress and avoids them. This, admittedly, is not a terribly virulent trigger, comparatively speaking. But, it dredges up dark memories I’d rather stay in the distant past.

    The important thing is he knows what might trigger harmful reactions, because I trusted him enough to share that information. Just as importantly, we didn’t indulge in BDSM play until our relationship was on solid enough footing to have built that trust. I’m not talking about life-partner level trust, but at least a few dates’ worth of familiarity to feel comfortable talking openly about emotional issues.

    How can one be safer emotionally?

    The best prevention for emotional harm is openness and complete honesty. As someone who led discussions of BDSM abuse survivors groups, I’ve seen the harm that can come from a lack of vigilance in protecting emotional health in-scene. The potential for ongoing damage is just as great as in the physical realm, only more dangerous. If the dominant doesn’t see the harm, they can’t very well avoid it, and can keep inadvertently pouring more fuel on the fire.

    So who, ultimately, is responsible for emotional well-being?

    “Given my personal background, it would be irresponsible for me as a sub to engage in a D/s scenario in which the Dom insulted my size or made remarks about my weight, as I have a personal history of rough times with my body image that I must take into account as being highly impactful for me. Something that may have no lasting impact for someone else could trigger a series of personal responses in myself that are harmful and unhealthy. It would be unfair for me to disregard that if the Dom’s actions might have a lasting impact on me that leads to future self-harm outside of our consensual interactions.

    “That said, I don’t think it’s irresponsible to cross personal boundaries as long as all parties are aware of the gravity of the situation and may gauge their responses based on adequate knowledge of their partners.” ~ Ela Darling

    Ela says the plain truth better than I’ve ever heard it expressed. Every submissive is responsible for their own emotional safety before engaging with a dominant. As the ones who know our histories and potential pitfalls best, it’s up to us to act to curb any potential for harm. Staying mum and hoping nothing goes wrong is not being responsible for ourselves and, as Ela correctly states, unfair to our partners.

    We are submissives, not children, so cannot expect our dominants to be the grown-ups if we fail to do so.

    The only sure way to prevent emotional harm is a good dose of informed consent. We need to trust our partners to help us address our issues without enflaming them. To do that, we can’t hold back information, no matter how personal or potentially embarrassing, about what might cause an adverse reaction. If we do, they could unknowingly step over the line, which is harmful to their emotional health, as well.

    Emotional safety isn’t just important for submissives

    “As a Dom, it would be crushing to me to touch on an unintentionally hurtful subject for my sub that led them down a harmful path.” ~ Ela Darling

    “As a Dominant, safety for me means hyper vigilance to the emotional and physical, and even at moments spiritual, well being of my bottom. But it also means I have the responsibility to keep myself well in scene too.” ~ Soma Snakeoil

    Soma and Ela state simple truths, but ones which are not given nearly as much attention as they deserve in the general consciousness. The potential for emotional impact works both ways. Simply being the dominant partner doesn’t make one immune to the intangible aspects of BDSM.

    Dominant is not a synonym of perfect.

    Just because a dominant is the one in control, doesn’t mean they are de facto in a perpetual state of emotional well-being. We submissives can do our partners a grave disservice by assuming they have some sort of kink super-powers, merely based on the role they’ve chosen. Our partners are just as human as us, and just as capable of sustaining emotional wounds.

    BDSM articles frequently expound at length about the myriad responsibilities of dominants and the potential for harm, should they fail to meet up to them. Yet, little copy is given to the equal responsibilities of submissives. There’s a damaging mythology that pervades pockets of the kink sphere, particularly in kink writing and videos, in which submissives are portrayed as powerless and incapable of taking care of themselves. Doms, conversely, are imagined as idealized figures who not only know exactly the right answer to everything, but are immune to emotional harm, as well as downright psychic about every possible trigger for their subs. Outside the obligatory nod to negotiation and safewords, no time is spent addressing the possibility that anyone has a single emotional issue that might be touched upon. The dom is expected to ‘just know’ and, despite the context of wank fiction and online roleplaying, it’s a message too many actually buy into.

    It doesn’t take a rocket scientist to figure out these sorts of fantastical, wish-fulfillment notions of dominants have the potential for doing far more harm than good. If there’s one ultimate truth in BDSM, it’s that one must be firmly rooted in reality before they can safely indulge in fantasy. Our dominants are people, with the same possibility for emotional issues. To ignore the possibility they might have feelings, too, is to treat them as automatons, which is just as offensive as when it’s done to us.

    A word about safewords

    Though they’ve been covered to the moon and back again, I’d be remiss if I didn’t give a solid shout out to our good friends, the safewords. While in the media, you’ll usually hear it in the singular, every player should have at least two safewords. One safeword, the one we hear about most often, is the Stop word (sometimes ‘red’), which immediately halts the scene. Another, the Slow (or ‘yellow’) word is a request to slow down the activity, ease up a bit, but not stop. It’s a great means to take a small breather when things get a little too intense, but doesn’t interrupt the flow of a scene like a full stop. Another safeword I like the existence of is a Go (or ‘green’) word, to ask for greater speed or intensity. Though it’s not really a safety matter, it’s a nice way to communicate a desire for greater stimulation with a new partner while they’re learning your limits. Partners can use these, plus any variety of other signals that suit your particular kinks. Bear in mind, if you’re not prone to role-play, you may not need specific code words, just an understanding that what is said is what’s meant. The point is to allow a bottom in peril a way to communicate it to their top; whatever way you choose to do that, so long as it’s done, serves the purpose.

    Tops, remember that some bottoms would rather poke out their own eyes than safeword. Some subs can get so far into sub-space they don’t realize they can mentally take more than their body will allow. Don’t let the lack of a red word keep you from stopping a scene you think has gone far enough, or at least slowing down to assess the state of your bottom.

    One other major safeword consideration is the possibility of gags or other impediments to speech. If a sub may have even the slightest possibility of not being able to communicate verbally, signals still need to be in place for safety. Establish safe-signs, or non-verbal cues for each safeword, which they’ll be able to easily do in whatever position they’ll be. Make sure to review the safe-signs, along with safewords, before every play session when the relationship is new.

    What preparations should precede any BDSM play?

    “Without trust, I can’t possibly feel safe with my partner, whether it’s bondage, S&M, or just plain vanilla sex; trust is implicit in any sexual encounter for me. Part of this, for me, is establishing hard and soft boundaries. For example “I absolutely am not comfortable with ____ and I’m iffy when it comes to ____ so take extra care and pay extra attention if you tread upon that subject/area.” For me, this also implies the agreement upon and respect of a safe word. Honestly, for all their purported faults, I find Kink.com’s list of potential topics/activities that models must fill out before a shoot to be very comprehensive when it comes to this aspect; one rates on a scale of 0-5 (if I recall) their comfort with a variety of possible activities, 0 being “don’t do this at all” and ranging through “I’d be disappointed if this didn’t occur” to “yes please!” essentially.” ~ Ela Darling

    In my opinion, absolutely no one should ever embark on any kink play with anyone else without:

    • being open about expectations
    • providing each other with a list along the lines of what Ela’s described above or at the least discussing any possible play activities, to compare interests and establish hard and soft limits (links to several online versions follow the article)
    • informing each other about any potential triggers and emotional issues which could impact well-being in any way
    • in cases of new partners, offering and checking references
    • establishing experience/skill levels (as well as strengths/weaknesses)
    • establishing not only a slow and stop safeword, but a safety protocol for various aspects of play and after-care
    • spending time together outside the headspace of BDSM to develop familiarity as people before adopting D/s roles
    • reviewing basic safety precautions (like health concerns, physical limitations, emergency protocols, etc.)

    Safety outside the scene is important, too.

    Mich Masoch "Best Served Cold (A Vampire's Revenge)"A common weakness in write-ups about BDSM safety is overlooking the reality of many people’s actual practice of kink. There’s often a tacit assumption that everyone is either an established couple or folks who met in a thriving kink scene where all participants are vetted by mutually-respected and sage elders. Unfortunately, most of us don’t have such a simple path to safely finding a new partner. What about everyone else?

    First, we must acknowledge that, just because someone hasn’t been run out of the community on a rail, doesn’t make them automatically safe. An inconvenient truth of kink is that predators are not always outsiders. Kink is not immune to personality politics, and the right friends can polish even the worst reputations. One should never let the dazzle of popularity allow anyone a bye on due diligence. Even if someone is considered a respected member of the scene, they shouldn’t get a pass on scrutiny.

    Demand references and check them. Absolutely no one worth being involved with will have any problem with providing references. If they do, consider the bullet dodged; don’t just walk away, RUN. And, don’t stop at the end of that list. If someone has skeletons in their closet, they’re not likely to show them to someone whose trust they’re trying to win. If possible, ask a few people you trust, too. To someone new to BDSM, this might seem nosy and intrusive, but it’s standard operating procedure for perverts and has been for as long as there’s been a community.

    Don’t forget safety outside the ‘scene’, too. We can’t skip the usual precautions we’d take on any other date with someone new. Being involved in a BDSM relationship adds to our personal responsibilities, it doesn’t replace them. So, when you’re chatting up that awesome new potential partner, don’t assume they’re immediately safer than non-kink folks just because they’re into BDSM. Kink isn’t a magic realm where all predatory behavior ceases.

    Plenty of predators have been known to use BDSM to lure potential victims.

    If we let ourselves fall prey to the fantastical scenarios of BDSM in cyber-space, we invite a world of potential dangers. Sure, it sounds awfully sexy to be swept off our feet by a dashing stranger. However, that’s probably what Ted Bundy’s victims thought, too. While it’s not quite as exciting to follow a laundry list of safety precautions, it rarely ends in tragedy.

    Back in the day, when I was still single, a friend set me up on a blind date with a guy they’d known for years. He seemed nice at first, if a little over-eager. But, after a few dates, I decided he wasn’t someone I wanted to keep seeing. He, apparently, didn’t agree. For several weeks, he stalked me with every free moment. He left unhinged notes, written over drawings of knives stuck through hearts, dripping blood, and effectively scared the hell out of me. But, I was lucky and finally convinced him to leave me alone without any escalation. Friends who’ve been attacked or, in one case, forced to change their names and move out of state to avoid violent stalkers were not so fortunate.

    I realized, then, that even someone people think they know might not be as safe as they appear. Most people consider casual acquaintances friends, afford them the same benefit of the doubt. While this is fine in groups, it might not be the best idea once one-on-one dating and sex are involved. After having a close call, though it was sometimes awkward, I practiced most of the same safety precautions with anyone I didn’t know well enough to have already invited into my home. What I found was, once dates knew why I exercised such caution, most understood and respected my feelings. The few who didn’t tended to reveal a host of entitlement and anger-management red flags in their objections. In essence, the safety steps became more than just a routine, they were the first test of whether a potential partner wasn’t worth my time. I’ve listed my old protocols below, since I think they’re still pretty useful. I hope you agree. Feel free to add your own in the comments, too.

    Safe is sexy.

    While one might never be exposed to harm by not actively addressing safety, it’s a bad idea to rely on sheer luck for protection. Taking precautions is the first and most important part of self-care, and shouldn’t be skipped frivolously. In the end, whether we have a safe and healthy kink community is up to each and every one of us.

    Next time, we’ll be getting down and dirty with the second S of SSC, Sane. Until then … Play safe and play sexy, you fabulous perverts!

    —-

    About the Author:

    Mich Masoch at Studio Servitu by Jimi KingMich Masoch is a writer, fetish and erotica photographer, designer, and lifelong pervert. With her husband and partner, Jimi King, she owns and runs Circus Hooker Smut Regime, an independent erotica production and design studio in Los Angeles, Ca. She has been a managing Board Member of a non-profit BDSM organization, planning educational events as well as leading discussion groups and introducing new members to the kink community.

    She’s recently completed more installments of her Quick and Dirty Spanking and BDSM Fantasies short story series (available at Amazon, Smashwords, Barnes & Noble, and other eBookstores), and is currently editing the first romance teaser novelette in her upcoming vampire fiction series, Blood Gods, as well as erotica short film scripts for upcoming CHS Regime projects. You can find links to her BDSM erotica short stories, photography work and updates, along with behind the scenes peeks of photo and video shoots, on her official site (MichMasoch.com), the CHS Regime site (CHSRegime.com), her Twitter (@MichMasoch), and Tumblr page (This Sexy Life).

    —-

    A few useful safety protocols:

    • Don’t give out any information about your workplace.
    • Don’t give a home address or enough information to figure out where you live, shop, hang out with friends, etc.
    • Don’t give out a phone # which can be used to track down your home or work address.
    • Don’t give out your last name, if it’s not already known.
    • Don’t immediately ‘friend’ them on Facebook or follow on other social networks.
    • Always arrange to meet up for the first few dates, until you know them better.
    • No matter how tempting it may be to jump the gun, never ever ever meet up with a stranger at their place, your place, a motel, etc. Even if they seem like the grooviest, sexiest human being on the planet, rushing into intimacy is courting danger. They’ll be just as amazing after a few dates, even more so, since some trust has been established.
    • When meeting up, always arrive as early as possible before the arranged time. At the first meeting, let a bouncer, bartender, server, etc. know you’re on a blind date and are a little nervous about it (even if you’re not). Ask them if, should it become necessary, someone could walk you to your car.
    • Don’t leave your personal belongings or drink unattended. Especially on a first date, imagine you’re chatting with someone who just strolled up, because your date is only one small step ahead of that stranger. Would you trust any random person in a bar with your wallet, keys, and drink? Drinks can be drugged. Keys can be taken or copied. Purses and wallets contain a wealth of personal information. Ladies, always take your purse with you. Guys, keep keys and wallets in your pockets, not your jacket.
    • At the end of a date, avoid leaving at the same time. I used to say good-bye outside the front doors, then excuse myself to use the ladies’ room, telling my date to not worry about waiting. Don’t let a new date walk you to your car. Though this might sound strange, it won’t give a stranger your license plate number, which could be used to find your home address.
    • Don’t go out to a date’s car, either. The reason you pick public places to meet, when first seeing someone, is the safety of the presence of others. Once you go out into a (probably dark) parking lot alone, you remove your safety.
    • Make plans for the next meeting, but never leave the original location with a date, especially to somewhere private.
    • When you leave, take a good look around to make sure your date has, indeed, left before you walk to your car.
    • Always arrange a series of safe calls with a friend. Tell them who you’re with and any information you can about them. Then, either have them call you or give them times when you’ll call them to confirm all is well. Obviously, it’s crucial to remember to call if you’ve decided to be the caller or answer if you’re the callee.
    • Bonus points, now that we all have cameras on our phones, if you snap a pic to ‘show off’ your date. It’ll probably never be needed but, if your date does have nefarious intentions, a current photo taken and sent from your phone is invaluable protection.
    • When you’re ready to get physical, try to make your first play sessions as safe and public as possible. Meet up at a local fetish event, dungeon night, or group gathering, if you can. Bonus points if you make sure a few good friends are on hand to check out your date and give you their impressions. While we might let ourselves be overwhelmed by new-relationship giddiness, friends won’t be so apt to overlook potential red flags.

    This column’s BDSM panelists include:

    Ela Darling

    BDSM IMHO panelist Ela DarlingBio: Former Reference Librarian Ela Darling transitioned out of the library and into her career performing in Lesbian, Fetish, and Bondage porn in 2009. She lives and fucks for a living in sunny Los Angeles, CA. :)

    Ela online: official website: darlingela.com on Twitter: @ElaDarling

    Safe (in a nutshell): “Safety” in a BDSM context requires trust, knowledge, communication, and a degree of personal familiarity with one’s partner.

    Expanded comments: Safety in BDSM, to me, incorporates both Physical and Emotional elements. It requires trust, knowledge, communication, and a degree of personal familiarity with one’s partner.

    Without trust, I can’t possibly feel safe with my partner, whether it’s bondage, S&M, or just plain vanilla sex; trust is implicit in any sexual encounter for me. Part of this, for me, is establishing hard and soft boundaries. For example “I absolutely am not comfortable with ____ and I’m iffy when it comes to ____ so take extra care and pay extra attention if you tread upon that subject/area.” For me, this also implies the agreement upon and respect of a safe word. Honestly, for all their purported faults, I find Kink.com’s list of potential topics/activities that models must fill out before a shoot to be very comprehensive when it comes to this aspect; one rates on a scale of 0-5 (if I recall) their comfort with a variety of possible activities, 0 being “don’t do this at all” and ranging through “I’d be disappointed if this didn’t occur” to “yes please!” essentially.

    Knowledge is important when engaging in any play that has an increased possibility of resulting in physical harm. If you’re using a cattle prod and your partner has a pacemaker, you better damned well be familiar with any increased medical risks, given the players’ personal health, and be able to accurately answer your partner’s questions regarding those risks. In fact, if you’re using a device of any kind that may have increased adverse effects depending on your partner’s health, you should take initiative and run through the list of populations who may react more intensely/poorly to the effects of it. This is the responsibility of both the sub and the Dom, of course, but as far as I’m concerned, the Dom has a greater responsibility to look out for their sub in that way.

    Finally, I think it’s important to discuss the personal emotional triggers of your partner before you play. If you choose to cross those lines together, that’s up to you and your partner, but in my opinion, it’s irresponsible to not discuss subjects that may be emotionally harmful to one another if you might tread upon triggering ground. That may include any number of things, and it’s up to each individual party to communicate the subjects which are taboo for them and how far they’re willing to push their own boundaries.

    That may also include age play, implied rape, or even a list of insults/names that are off limits. As a Dom, it would be crushing to me to touch on an unintentionally hurtful subject for my sub that led them down a harmful path. Given my personal background, it would be irresponsible for me as a sub to engage in a D/s scenario in which the Dom insulted my size or made remarks about my weight, as I have a personal history of rough times with my body image that I must take into account as being highly impactful for me. Something that may have no lasting impact for someone else could trigger a series of personal responses in myself that are harmful and unhealthy. It would be unfair for me to disregard that if the Dom’s actions might have a lasting impact on me that leads to future self-harm outside of our consensual interactions.

    That said, I don’t think it’s irresponsible to cross personal boundaries as long as all parties are aware of the gravity of the situation and may gauge their responses based on adequate knowledge of their partners.

    —-

    Soma Snakeoil

    BDSM IMHO panelist Soma Snakeoil Bio: Lifestyle Domestic Abuser and Professional Ass-Kicking Rubber Fetishist, Sex Anarchist, Pro Domina and Film Maker.

    Soma Snakeoil is both a scholar & practitioner, lecturing widely on the psychology of domination/submission, punishment, gender roles and the origins of BDSM in Victorian culture. She has shot with some of the world’s finest fetish photographers including Ken Marcus, Lithium Picnic, Chad Michael Ward, Gregg Welker, Sam Holden and Surgeon Studios. Her latest AVN winning film, Rubber Bordello, is a black and white fetish film that she wrote, directed and starred in. For more personal information visit Her website.

    Soma online: official site: somasnakeoil.com Rubber Bordello official site: rubberbordello.com

    Expanded comments: Safe is an interesting term to discuss in BDSM as what we do is intrinsically dangerous. Safety in BDSM is subjective since it’s based so much on environment, the specific partners level of experience and the state of mind of the players. I’m a big fan of RACK (Risk Aware Consensual Kink) because I think it’s more accurate to say that what we do is not necessarily Safe but we choose to make it safe by being aware of the dangers involved in BDSM.

    The one thing that I like about SSC is that in every BDSM scene the participants need to be aware of the emotional safety of their partner. The love, kink and sex games we play have the potential to be damaging to either the Top or the bottom. Any sexual experience can be complex. If you add some crazy outfits, power exchanges and needles, knives or whips…eroticism becomes even more emotionally charged. So in a sense the responsibility we have for our partner’s emotional safety grows exponentially.

    Safety is as simple as agreed upon standard guidelines like safewords but is as complex as knowing when to stop without the need for safewords.

    As a Dominant, safety for me means hyper vigilance to the emotional and physical, and even at moments spiritual, well being of my bottom. But it also means I have the responsibility to keep myself well in scene too.

    Safety is enacted with the awareness that danger is sexy, but that harm is not.

    ——

    Dark Gracie

    Bio: Dark Gracie is an acclaimed sex author and deviant extraordinaire, who first began writing explitica in 2005. Today her work is published in Erotica Diaries, regularly featured on Fleshbot, reviewed by Playboy and appeared in Cosmopolitan Australia. She has worked with PopSyndicate, Mayhem Magazine, Sex and the 405, Safeword Magazine and Conversextion.com. Gracie’s fallen-from-grace filth can be found on her blog where she reveals mindfuck stories and appears on Good Vibrations Magazine and soon to be writing for Servitú Magazine.

    Gracie online: official site: darkgracie.com Gracie on Twitter: @darkgracie

    Safe (in a nutshell): Safe Trust and communication is key along with a safe word.

    ———

    Diana Knight

    BDSM IMHO panelist Diana Knight Diana online: official site: DianaKnight.com

    Safe (in a nutshell): Trust, understanding, & familiarity with your play partner.

    ————

    A few helpful resources:

    education: An online video education resource (recommended by one of my favorite perverts, Dark Gracie): kinkacademy.com A great basic overview of Safer SM Sex (in pdf format) by New England Leather Alliance Resources + checklists by The Next Generation of Chicago

    events & groups: A pretty exhaustive listing of Groups and Munches in the US: scene USA at darkheart.com A more comprehensive international list of BDSM groups by Ranai A list of BDSM & Leather events in 2013 at bdsmresourceguide.com

    negotiation: A basic (but still pretty comprehensive) activities list by vampirespet.com A more extensive activities list by wikiphilia.net Another extensive (printable) activities list by Columbia Erotic Power Exchange

    (Source: whackmagazine.com)

     


  9. Why I Love And Fear The Horror Genre.

    By Jillian Boyd

    The horror genre, whether in films, writing or even radio, has been around for far longer than people these days want to realize. While films such as F.W. Murnau’s Nosferatu date back all the way to the 1920’s (and some came even before that), books have been scaring the living daylights out of people since the 18th century.

    Surely a genre which has this kind of staying power is a force to be reckoned with?

    Before I get started on what I wanted to write, let me state that this isn’t a history of horror. It’s been done, and it’s been done far better than I can ever do (Stephen King’s excellent Danse Macabre, although dated, is a fantastic resource). No, this is my history with horror. Call it one appreciator’s (and layman’s, I must confess) insights into a genre she has been fascinated with for as long as she can remember.

    And, of course, my first memories of the genre are a bit vague. Naturally.

    I guess the first thing I can remember is probably something any kid who grew up in the nineties can tell you. I was scared out of my mind the first time I saw one of the legendary Treehouse of Horror episodes that The Simpsons provide every season. If you think the ones they have put out in recent years are a bit lame (yeah, I feel you on that), I suggest you revisit the beginning of the show, and in particular, the first-ever Treehouse of Horror.

    Treehouse of Horror aired as the third episode of the second season (which I am delighted to discover aired two months before I was even born). It is comprised of three segments (as have all episodes of the like been since): Bad Dream House, a mash-up of The Amityville Horror and Poltergeist; Hungry Are The Damned, a loose take on The Twilight Zone’s To Serve Man episode and an adaptation of The Raven by Edgar Allen Poe.

    It is that last one that stuck with me the longest. It’s very rare for The Simpsons to play something straight, without looking for laughs, but it’s also worthy to remember that they did manage it and very early on in their 24-seasons-and-counting run at that. The Raven is, on its own, a haunting tale that gets into your bones, and this take on it provides images that unknowingly stick with you for a good long time to come.

    And so a budding horror fan I became.

    But it didn’t really resurface until I was old enough to toddle along with my mother to the video rental shop. I can’t put an age on it (let us say it was in the late nineties or early noughties, wherein I would have been about 10/11.). I was (and still am) absolutely fascinated by film, and getting to go to the rental shop was enough to make me a happy kitten.

    But there were a few sections I naturally gravitated towards. Of course there was the forbidden adult section, which I gazed at from afar with wonder in my eyes. But next to that was an equally mystifying selection of horror movies.

    I knew I wasn’t supposed to look at them. I mean, I was on the wrong side of my teens to take any interest in the morbid. But there was something about it that made me excited. There was something about seeing Pinhead’s noggin on the cover of the latest Hellraiser movie that made me feel a bit dirty. Like an adult, almost.

    Of course, I couldn’t even watch horror movies. The closest I had come to watching a horror movie without pissing myself was (and here is something that, I kid you not, actually happened) when we were having a study day in Belgium’s equivalent of the sixth grade. As the highest grade, we were exempt from the day’s proceedings (lucky bastards, we were) and got to watch a movie. Chicken Run was provided for us, which we all enjoyed (I think). And then it came to watching another movie. My mind is a bit misty as to the how we ended up watching it, but apparently the teacher supervising us found it totally okay to let us watch Child’s Play 2.

    Now, let’s face it, Chucky isn’t exactly the scariest bastard on the horror scene. He’s an evil doll. That’s it. But imagine for a moment that you were watching this as a confused pre-teen. You would have, I assume, one of two reactions. One is that you immediately lose your cool, jump out of your own skin and call for an adult. Two… you actually like it.

    And I sort of did.

    I sort of got a kick from contemplating watching horror movies. From holding their boxes in the video rental stores and lying awake at night thinking about why it was Ginger actually snapped. I was still too young to understand why things scared me (that didn’t come until far later in life) and I was equally mystified by why these things caught my eye more than the latest generic rom-com I was supposed to be into.

    Eventually, my local video rental shop closed. Life diddled on and I sort of forgot about what it was that attracted me to the genre in the first place.

    That was until the cogs were set into motion again earlier in the year.

    As a writer, the one thing I keep hearing is to buy Stephen King’s On Writing. It’s seminal, it’s amazing, it’s What You Need As A Writer. So when I found it at Waterstone’s, with a shiny new cover and all, I scooped it up and got to reading.

    I still don’t know what it is I took away from the book as a writer. But what did kindle a little fire in my heart was reading Stephen’s account of how he started writing, and in particular how he started writing Carrie (his first novel). I know Carrie. Or at least, I know about Carrie. I know the enduring image of a young girl drenched in pig’s blood, a young girl with telekinetic powers so strong that she uses them to an earth-shattering conclusion.

    But I didn’t know the book. I don’t know the film, for that matter – but that’s an affair I’ll take care of later this year.

    I found a copy of the newly-covered edition and kindly asked my boyfriend to buy it for me. He obliged and I got to reading. There were various other factors in my life that led me to rekindle the scary light in my heart, but the moment I knew I loved it again was the moment I finished Carrie.

    And I realized that what I was scared of was openly loving this genre. That I was scared of being looked at in a different way because I was fascinated by what scared me.

    Horror, as King says, is perhaps a way of releasing your anxieties in another way. Which is an excellent point. Horror as a genre has a way of resurfacing whenever shit has hit the fan in the world. 2013 sees remakes of The Evil Dead and Carrie in addition to new horror efforts such as Byzantium and You’re Next hitting the screen; just as the recession bites again, countries are on the brink of war and David Cameron spreads his own seed of evil by cutting the UK’s benefits.

    For me, the horror genre is a way of rebelling against myself. A way of saying that I dare to be scared. I dare to look evil in the eye. I may not laugh in its face, but I will face it. And it took me a long time to get there.

    Dare to be scared.

    Dare to go and see a horror movie, read a scary book.

    It’s worth it.

    And remember… it’s only a movie. It’s only a movie.

    (Source: whackmagazine.com)

     


  10. FAT GIRL Book Exhibit featuring April Flores by Carlos Batts * SAVE THE DATE

    The exhibit will feature photography from the book FAT GIRL.
    The Second Floor will have the painted toys and my films.
    Details:

    Fat Girl Exhibit
    Gallery: Coagula Curatorial
    Date: Saturday, July 27th
    Time: 7pm-11pm
    Location: 977 Chung King Road, Los Angeles CA 90012
    Gallery Details Here: www.coagulacuratorial.com
    Publisher:
    http://www.rarebirdbooks.com
    Order Book Here:
    http://www.barnesandnoble.com/w/fat-girl-carlos-batts/1113774913
    http://www.amazon.com/Fat-Girl-Flores-Carlos-Batts/dp/0985490268/ref=pd_rhf_dp_p_img_4

    Distributed by:
    Publishers Group West
    PGW.com

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    (Source: whackmagazine.com)